I joke about the lack of trembling and awe in my presence. Obviously I do not really want trembling. Awe I get anyhow.
Not from the younger kiddies. They lack the experience to even begin to understand how good I am. The older they get, the more they begin to understand the vast gulf in between them and myself. That creates a certain amount of awe.
Charlie often complains that he can play stuff well until he plays it to me, then he goes to bits. "It is the Steve effect," I once explained. "I have it on a lot of people. I do not want to; it just happens."
I believe him. He is improving wondrously and I am mightily proud of him. I say so at every lesson. Plus, I sympathise. Nobody has a greater regard for my piano playing than I do but ask me to play to a room full of world class virtuosi and I would go to pieces. Actually, I would go home.
Charlie was sat at the piano when I pitched up in 146 yesterday. "Ehup Sam," I intoned.
"Ehup Sir. Now that my name is Sam, your name is Andrew."
"Fair enough."
Miss just shook her head in despair at the pair of us and intervened to explain about the extra song accompaniment she had for me.
A few minutes passed and Sam announced, "I am going for lunch. What time is my lesson?"
"1.30. I wrote it in your lesson pass last week."
"I know you did, but was it the correct time?"
"Get it out and look at it. It says 1.30, OK?"
Full of doubt, Charlie/Sam grunged around in his pockets until he found the relevant pink pass, looked at it and announced in surprise, "Yes. 1.30 it is."
"Ha," I replied triumphantly. After all, I am not often proven to be correct. "Now go away and try not to come back at 1.30."
Fur Elise is light years away from what Sam could realistically be expected to play this time last year. He is mastering it for his solo performance next year. He is playing it in the concert in a couple of weeks time. We shall divert to a duet for his ensemble (remember 'ansembly?'
Fur Elise consists of a passage that anyone but Lois can play. This passage comes four times, interspersed by episodes that no one below professional standard can play without a lot of difficulty. Sam has mastered the first and third episodes, to an extent. The second episode causes him difficulties and he mucked it up when he played to me.
"I can play it really. It is the Andrew effect that makes me go wrong."
Not the worst crime in the world, unless you happen to be a piano teacher listening to it. Hey ho.
So I am Andrew from now on. It never occurred to me to ask why 'Andrew'.